Exhibition Catalogue. Michael David Evolution of the Symbol (April 9-May 2), published by Sidney Janis Gallery (1981).
Exhibition Catalogue with an essay by Emily Bilski, published by Knoedler Gallery and Company.
Exhibition Catalogue with an essay by Lowery Sims, published by Meredith Long Gallery.
A Conversation between Michael David and Lowery Sims, Meredith Long Gallery (February 1, 1995).
Exhibition Catalogue. Requiem for a Gangster, with an essay by Peter Frank, published by Bill Lowe Gallery.
Exhibition Catalogue. Michael David: New Encaustic Paintings, with an essay by Gail Stavitsky, published by Knoedler & Company and Bentley Gallery, 1999-2000.


Exhibition Catalogue, the Aspen Museum, 1995.
Exhibition Catalogue. Golem, Jewish Museum, 1984.
Exhibition Catalogue. Golem, Jewish Museum, 2016.


Ackley, Clifford S, “Michael David,” The Print Collector’s Newsletter (September – October 1987): 137.
Bilski, Emily D., “Michael David: From Doppelganger toward Entelechy,” (March 6, 1990).
Bottino, Carroll Ann, “DeCordova Takes a Look at the ‘Saints and Sinners’,” Lincoln Journal, (December 4, 1986): 8.
Boyce, David B., “Michael David: New Abstraction and the Transcendent Metaphor,” Arts Magazine (October 1983): 62-65.
Brenson, Michael, “Critics’ Choices, Art,” The Guide, The New York Times (April 21, 1985): G2.
—“Bringing Fresh Approaches To Age-Old Jewish Themes,” The New York Times (August 3, 1986): H27, 32.
Cullum, Jerry,  “A Desperate and Honest Search: Some Notes on New Works by Michael David,” Atlanta Journal Constitution Newspaper, December 1, 2006
Damsker, Matt, “1988 Invitational show at New Britain Museum,” The Hartford Courant, (March 27, 1988).
David, Michael, “Art of Hot Wax and Dogs,” The Aspen Times (June 10, 11, 1995): 1B, 13B.
Derrickson, Howard, “Abstract show at Greenberg Triumph of Metaphor and Mystery,” West End Word (October 1, 1987): 20.
Fraile, Stephen, “…” The Print Collector’s Newsletter XVI, no. 3 (July 1985).
Peter Frank,  “Michael David: Faith in Painting,” (December 1, 2006).
Gomez, Edward M., “Improvised Images in Molten Wax, as Fluid as Jazz,” The New York Times (May 16, 1999)
Gongard, Willi, “David at Janis,” Art Aktuell, April 1981.
Haggerty, Gerard, “Michael David’s New Paintings: The Georgia Series,” Cover Arts Magazine (Summer 1991): 8.
Hanson, Bernard, “New Britain Museum’s 1988 Invitational Exhibit,” The Middletown Press, (May 5, 1988).
Harris, Susan, “Michael David,” Arts Magazine (December 1982): 46.
Henry, Garrett, “Michael David at Hamilton,” Art in America (January 1984): 124.
J, H., “Sieben Amerikaner der Gegenwart,” Kunst (April 18, 1980).
Jessup, Sally, “Seven Young Americans,” Art/World (April 19/May 17, 1980).
Koch, Liz, “Not Just a Bunch of Brooklyn Painters,” The Phoenix, (June 25, 1987): 13 – 14.
Kramer, Hilton, “Seven Young Americans,” The New York Times (April 18, 1980).
Kuspit, Donald, “Michael David: Knoedler and Company,” ArtForum (January 2000).
Kuspit, Donald, “Michael David’s Burgeoning Populations” essay for Low Catalogue and for Nodler (December 6, 2002).
Kuspit, Donald, “Immediacy Redivivus: Michael David’s Paintings,” Catalog essay, published by Knoedler and Company (December 6, 2006).
Larson, Kay and Rickey, Carrie, “Art: Seven Young Americans,” The Village Voice (April 28, 1980).
Mahoney, Robert, “Sacred Iconoclasm: Exercising Painting’s Ancient Demons,” Cover Arts Magazine (September 1993): 13.
Moorman, Margaret, “An Eclectic Brooklyn Show,” New York Newsday (August 7, 1987).
Morgan, Robert, “Abstract Pictorialism,” publication unknown.
Nicholson, Stuart, “The Poured Image,” Cover Arts Magazine (March 1995): 24-25.
O’Neil, Gail, “Artist draws from punk rock and shattered glass for works at Lowe Gallery,” The Atlanta Journal Constitution (November 17, 2022).
Potter, Thomas F., “Contemporary Art Show will Appeal to All Art Lovers,” Meriden Record, (March 19, 1988).
Ruzicka, Joseph, “Michael and the Wolfen,” Upper Eastside Resident (September 23 – 30, 1993).
Ruzicka, Joseph, “Michael David at Knoedler” (January 1, 1994).
Schwartzman, Allan, “Corporate Culture: The Yippie-Yuppie Artist (Jeff Koons),” Manhattan, Inc. (December 1987): 137 – 143.
Sherman, Mary, “David’s abstract art entices, grips the viewer,” Chicago Sunday Times (April 8, 1988): 82.
Silverthorne, Jeanne, “Michael David,” ArtForum (January 1984): 73.
Sjostrom, Jan, “David’s Intense Art Examines the Inner Man,” Palm Beach Daily News (March 7, 1993): B1.
Southworth, Linda, “Michael and the Wolfen,” Upper Eastside Resident (September 23 – 30, 1993).
Stapen, Nancy, “DeCordova Show Has Mass Appeal,” The Boston Herald, (November 21, 1986): W6.
Stavitsky, Gail “Waxing Poetic: Encaustic Art in America during the Twentieth Century,” (1999).
Tallman, Susan, “Michael David at Knoedler,” Art in America (October 1991): 156.
“The Mirror Stage Exhibition reflects human experience from broken to wholeness,” Michael David interviewed by Lois Reitz, WABE Radio (January 4, 2023).
Upshaw, Reagan, “Michael David at Knoedler,” Art in America (July 1997): 95-95.
Wallach, Amei, “The Golem Legend in Many Guises,” (review: The Jewish Museum), Newsday (January 6, 1989): 15.
Zimmer, William, “Seven Young Americans,” The SoHo News (April 16, 1980): 63.
—“Michael David,” The SoHo News (April 22, 1981): 64.
—”Wax as a Medium and a Message,” The New York Times (June 6, 1999).


Johnson Lowe Gallery. “Michael David. The Mirror Stage. Installation,” (2022).
Johnson Lowe Gallery. “Michael David.  The Mirror Stage. Studio,” (2022).
“Michael David. 2022 Encaustic Conference Keynote Address.” Produced by Truro Center for the Arts at Castle Hill (2022). .

Alan Avery Art Company. Michael David is the director of “The Greenhouse Project.” (September 24, 2009).